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  • Published on: 2012-12-09
  • Binding: Paperback

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Lincoln A Novel, by Gore Vidal

  • Sales Rank: #5042726 in Books
  • Published on: 1984
  • Binding: Paperback

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132 of 139 people found the following review helpful.
Historical fiction at its very best
By Robert Moore
In the nineteenth century the historical novel enjoyed the highest possible esteem. William Thackery's historical fiction HENRY ESMOND and not VANITY FAIR was regarded by his contemporaries as his finest work, and it was routine for writers like Dickens in A TALE OF TWO CITIES and Tolstoy in WAR AND PEACE to write novels set in a different historical period. In the twentieth century, however, as novelists began more often to fictionalize their own experiences and focus on the psychological make up of their characters and historian forged a more rigorously scientific form of historical research, historical fiction suffered a sharp decrease in critical respect. To be sure, there were exceptions, whether Robert Graves writing about the Roman emperors in I, CLAUDIUS and CLAUDIUS THE GOD or in Patrick O'Brian's superb series of novels about the Royal Navy at the time of the Napoleonic Wars. But these were exceptions and not the rule and even O'Brian garnered less respect than he would have in the 19th century. All of this is to explain why Gore Vidal's superb series of novels that he calls Narratives of Empire have failed to achieve as much acclaim, as they deserve.

LINCOLN is in essence exceptionally accurate history encapsulated in the form of a novel. I have read a spate of books on Lincoln and the Civil War and I was almost never able to fault his scholarship. In a note following the conclusion of the novel he indicates that the manuscript was seen--and corrected--by no less an authority on Lincoln than David Herbert Donald, who is arguably the supreme authority on Lincoln of this age. But accuracy would be an empty thing if the narrative were not enlivened by Vidal's remarkable skills as a writer. He has a fascinating style, moving without transition from a scene with one group of characters at one point of time in one paragraph to another group at another time in the next. The narrative fairly races along.

This is not a novelistic retelling of the entirety of Lincoln's life, but focuses instead exclusively on the period of his presidency. The story begins with Lincoln's arrival in Washington and ends shortly after his assassination. In fact, the subject matter is almost precisely the same as that covered by Doris Kearns Goodwin in her new book TEAM OF RIVALS: THE POLITICAL GENIUS OF ABRAHAM LINCOLN. The story Vidal wants to highlight is how Lincoln managed to hold together the Union despite widespread opposition to the War in the North and a cabinet that on the one hand imagined him to be a weak leader whom they could easily control and on the other filled with individuals who possessed presidential aspirations of their own. Interestingly, the two finest demonstrations of Lincoln's leadership skills come not from the work of historians, but by novelists: Vidal here and Shelby Foote in his depiction of Lincoln's extraordinary skills in his three-volume THE CIVIL WAR.

Though he is astonishingly faithful to the historical record, Vidal's greatest achievement is bringing to life in credible fashion a number of remarkable personalities in ways that are consistent with the historical record. In reading about the war, I had of course read about Seward and Chase, but neither truly emerged as vivid personalities before. Perhaps their biographers would disagree with the portraits Vidal paints, but for me whenever I read about either individual in the future, I will almost certainly do so through eyes of Vidal.

We live in an age that is obsessed with the notion of "political bias," an idea whose importance is, I think, outrageously overstated. One either is faithful to the facts or not and your bias might make you lean one way or another, but it won't allow you to distort the facts unless you are being deliberately dishonest (I think of Ann Coulter's almost macabre depiction of Joseph McCarthy in her writing). But given Vidal's well-known adherence to New Deal ideals, a word or two might be in order. I was surprised at how politically evenhanded this book was. In fact, if anything Vidal mutes the widespread belief of more contemporary Civil War historians that the conflict was overwhelmingly about slavery and instead presents the idea that it was more about states's rights (an idea that has been more and more discredited not merely by folks like James McPherson but Southern historians such as Shelby Foote). Actually, this is Vidal's New Deal point of view coming forth, as previous generations sought to not offend Southern politicians by intimating the war was about the admittedly (today, that is) disgusting institution of slavery, which no one would defend, so much as it was about states's rights, which is, while wrong, not so outrageously indefensible. In the New Deal, the Democratic Party functioned as an uneasy coalition of various groups, including labor, Northern progressives, and Southern populists. With the Nixon strategy, the South has split off from the Democratic party (initially over civil rights issues) and those on the left have been more comfortable in speaking of the Civil War and its causes in more historically accurate terms. I am, by the way, a Southerner, even if I today live in the Land of Lincoln, so I see this issues from both sides.

I recommend this novel in the strongest possible terms. It is not just a very fine novel: it is a great way to internalize history in a way that is rarely as possible in a straightforward historical account. Moreover, it is a richly complex Lincoln that is presented here. In contrast to the blandly hagiographic portrait by Carl Sandburg, this is a warts and all version. Lincoln isn't idealized, but is shown with both his virtues and vices, from his astonishing ability to handle people who imagined that they were handling him, to his self-proclaimed ignorance of financial matters. But he is more the admirable for his portrayal as a believable, flesh and blood human being, instead of mere statue.

44 of 50 people found the following review helpful.
The finest political novel by an American writer
By C. Collins
If I could give this book 15 stars, I certainly would. It is the finest political novel by an American writer. It has few rivals, maybe "I, Claudius" and "Claudius the God", both by Robert Graves, are as good, but students of history, political science or leadership will find "Lincoln" to be an exception work of literary art.

There are several reasons why I so strongly recommend this book.

First, this novel demonstrates exceptionally well the balance between self interests and loyalty, as exemplified in the Lincoln cabinet. Salmon Chase, the Secretary of the Treasury, and William Seward, the Secretary of State are finely portrayed characters. They both were positioning themselves in the Lincoln presidency to succeed him. This required careful political skills to appear supportive but make every move in regard to self interests. The passages where Lincoln wins over William Seward into a real honest partnership are masterful and my admiration for Seward soared. Salmon Chase on the other hand continues to play a careful game of undermining the President behind his back while playing the loyal servant to his face. The passage where Chase is eventually confronted by Lincoln, who was never fooled in the first place, is a wonderful example of the careful interpersonal chess moves required in political life.

Second, the novel does a wonderful job of demonstrating how difficult it is get someone to follow orders and do the job right. Lincoln remains totally frustrated with his generals, especially the handsome, charming General McClellan, with his own political ambitions. The man refused to engage the enemy. Lincoln eventually fires him and promotes General Grant. Mrs. Lincoln is somewhat scadalized by the Grants, but Lincoln finally has a military genius on his side and Lincoln offers minimal guidance as long as he sees the war turning around due to Grant's initiatives.

Third, the novel does a great job of demonstrating the total hell that Lincoln occupied in the White House. The public came into the public rooms of the White House every morning to try to intercept the President on his way to his office. His wife engaged in questionable kick-back schemes with the White House staff. His older sons went to war and his younger son dies of swamp fever. Mary Lincoln was a burden to the President and her nervous breakdown after the death of their child, Willie, further burdened this exceptional political genius.

Fourth, Lincoln practiced careful adaptive leadership, keeping his cabinet and officers focused on the grim realities they had to face every day without flights of hubris and fancy.

Lincoln held our nation together at its darkest hour. Vidal was able to capture the amazing day to day reality that this feat entailed. Vidal creates a vision of Lincoln that comes to life in this fine novel.

27 of 30 people found the following review helpful.
A Novel of Abraham Lincoln
By Robin Friedman
In his 1984 historical novel "Lincoln", Gore Vidal has written with great insight about our sixteenth president, his cabinet, his family, his enemies, and the Civil War Era. Lengthy though the book is, the writing is crisp and eloquent. It held my attention throughout. The book is part of a series of novels by Vidal exploring the history of the United States.

In writing historical novels, it is difficult to tell where fact ends and fiction begins. This is particularly the case in dealing with a complex figure such as Lincoln whose life and political legacy remain controversial and subject to many interpretations. Controversial matters that Vidal addresses in his novel include Lincoln's attitude towards African-Americans and the Reconstruction policy that Lincoln might have pursued if he had lived. Vidal's book shows careful study of Lincoln's life and the Civil War era. He uses the resources uniquely available to the novelist to good advantage by probing the thought processes and feelings of his characters where historical evidence is lacking. I found the portrait of Lincoln compelling, but it is important to remember that Vidal is writing a novel.

Vidal's book begins as the President-elect arrives secretly in Washington, D.C. a few days before his inaugaration to thwart a feared assassination attempt in Baltimore. In the course of the novel, passages of recollection by various characters, reliable and unreliable, cast some light on Lincoln's earlier life. The book moves carefully and slowly, with a great deal of attention given, and properly so, to the earlier period of Lincoln's presidency. Much attention is given to Washington, D.C. at the outset of Lincoln's administration, to attempts to avert the war, to Lincoln's formation of his cabinet, and to preparing the nation for what proved to be a long bloody struggle. The pace of the book picks up as it proceeds through Lincoln's first term and reelection, the end of the Civil War, and the assassination.

The picture of Abraham Lincoln that emerges from Vidal is of a man of great intellect, ambition and will, determined to save the Union at all costs. Vidal portrays Lincoln's overriding dedication to the Union. In order to preserve the Union, Lincoln uses extraordinary and even ruthless political skills. Thus, Vidal's novel considers extensively Lincoln's relationship with his cabinet. Vidal shows Lincoln choosing a cabinet from among his political rivals for the presidency, as well as from loyalist democrats, in order to be all-inclusive in the war effort. Lincoln deals with uncanny skill with potential rivals for the presidency, especially Secretary of State Seward and Secretary of the Treasury Chase. (A recent historical study, "Team of Rivals" by Doris Goodwin also treats Lincoln's relationship to his cabinet at length.) The book also shows Lincoln dealing with similar finesse and force with the Radical Republicans in Congress, with Chief Justice Taney on the Supreme Court, and with his military leaders.

Vidal tells his story through a variety of perspectives. Most of the time, the viewpoint is that of John Hay, one of Lincoln's two secretaries, who had detailed and close access to Lincoln throughout the presidency. Hay and Lincoln's other secretary, Nicholay, together wrote one of the earliest biographies of Lincoln. Vidal also gives the reader a large portrait of the many southern conspirators against Lincoln. In particular Vidal develops the character of a young man named David Herrold, with uncertain purpose in life, who ultimately becomes part of the Booth conspiracy to assassinate Lincoln. Secretary of the Treasury Salmon Chase and his ambitious daughter Kate also receive a large share of attention in Vidal's novel.

For all the attention lavished on him, Lincoln as a man remains an enigma. Lincoln largely kept his own counsel and was not demonstrative in showing his feelings. Thus fleshing-out Lincoln's character offers the novelist a great deal of latitude, and Vidal makes the most of it. His novel focuses on Lincoln's difficult relationship with his wife, Mary Todd Lincoln, as she spends lavishly, engages herself in political intrigue, and descends to near-madness. The Lincolns endured the death of their young son Willie during the presidency. Vidal properly gives substantial attention to Lincoln's religious views, which became increasing theistic with the prolongation of the Civil War, but never Christian.

Although Gore clearly admires Lincoln and his fortitude in saving the Union, he emphasizes that Lincoln's success came at a high price over and above the loss of blood and treasure in a long bitter war. With his suspension of habeas corpus and supression of dissent, Lincoln expanded forever the power of the Presidency. The war effort changed the character of the United States from an agrarian republic to a centralized, industrial nation. At the end of the book, Vidal puts his own misgivings into the words of John Hay, stationed in France after the assassination.. Hay remarks that "Lincoln, in some mysterious fashion, had willed his own murder as a form of atonement for the great and terrible thing that he had done by giving so bloody and absolute a rebirth to his nation." (p. 657)

"Lincoln" is a thoughtful and moving book for those readers wanting to think about the ideals and political processes of the United States and about Lincoln's role in their continuing development.

Robin Friedman

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Brotherhood of Thieves 3: The Final Battle, by Stuart Daly

Can one boy's actions change the course of a war?

Andalon is at war, and Caspan and his friends find themselves in the thick of the battle to save their land from the invading Roon. As they fly into the skies above the enemy's warships - Caspan on his drake, Roland on his manticore and Sara on her pegasus - they have no idea whether they will survive this mission alive.

A chance encounter with a fleeing soldier could change everything, provided Caspan acts fast. Could Caspan's new friend help to bring peace to Andalon? All will be revealed in the final battle.

  • Sales Rank: #937910 in eBooks
  • Published on: 2015-04-01
  • Released on: 2015-03-25
  • Format: Kindle eBook

About the Author
Stuart Daly is a history teacher in a private high school. He is the author of The Witch Hunter Chronicles series.

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  • Sales Rank: #1309321 in Books
  • Published on: 1970
  • Number of items: 1
  • Binding: Paperback
  • 172 pages

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4 of 4 people found the following review helpful.
A PROMINENT PSYCHOLOGIST OFFERS HIS THOUGHTS
By Steven H Propp
Carl Rogers (1902-1987) was an influential American psychologist and (along with Abraham Maslow) among the founders of humanistic psychology.

He states in the Foreword to this 1970 book, "I have written papers and given talks on various facets of the burgeoning movement toward encounter groups... So I decided to assemble together for publication both the talks and papers I have given, together with new material written for this book, in the hope that they will stimulate a thoughtful analysis and a clarification of differences regarding this incredibly expanding trend. As with all my more recent books, this is definitely a personal document. It does not pretend to be a scholarly survey of the field, nor a profound psychological or sociological analysis of encounter groups... This book is written out of living personal experience, and those whose lives are described and whose statements are quoted are living, struggling people. I hope it will convey MY perception of one of the exciting developments of our time: the intensive group experience. And I hope it will help familiarize you with what an encounter group IS, and what it can MEAN."

Here are some quotations from the book:

"What accounts for the quick spread of groups? ... (W)e are sufficiently affluent to pay attention to our psychological wants. As long as I am concerned over next month's rent, I am not very sharply aware of my loneliness. This is borne out, in my experience, by the fact that interest in encounter groups and the like is not nearly so keen in ghetto areas as in sections of the population which are no longer so concerned about the physical necessities of life." (Pg. 11)
"The most obvious deficiency of the intensive group experience is that frequently the behavior changes that occur, if any, are not lasting." (Pg. 40)
"There is a great deal of debate as to whether the intensive group experience produces any significant change, and especially whether it produces any LASTING change, in behavior." (Pg. 75)
"To put it very briefly, a person is most lonely when he has dropped something of his outer shell or facade---the face with which he has been meeting the world---and feels sure that no one can understand, accept, or care for the part of his inner self that lies revealed." (Pg. 117)

5 of 5 people found the following review helpful.
Carl Rogers on Encounter Groups
By David T Kiley
A great book which explores the development and impact of group therapy on the person and society at large. This is a must have for anyone looking to understand the group process as it develops, and it's impact on the individuals who experience it.

0 of 0 people found the following review helpful.
Master of groups!
By Khashi
the book focuses on Dr. Roberge's experiences creating group therapy. honost, easy to read, and a lot to learn from!

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[Y412.Ebook] PDF Download Cubical Homotopy Theory (New Mathematical Monographs), by Brian A. Munson, Ismar Volić

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Cubical Homotopy Theory (New Mathematical Monographs), by Brian A. Munson, Ismar Volić

Graduate students and researchers alike will benefit from this treatment of classical and modern topics in homotopy theory of topological spaces with an emphasis on cubical diagrams. The book contains 300 examples and provides detailed explanations of many fundamental results. Part I focuses on foundational material on homotopy theory, viewed through the lens of cubical diagrams: fibrations and cofibrations, homotopy pullbacks and pushouts, and the Blakers-Massey Theorem. Part II includes a brief example-driven introduction to categories, limits and colimits, an accessible account of homotopy limits and colimits of diagrams of spaces, and a treatment of cosimplicial spaces. The book finishes with applications to some exciting new topics that use cubical diagrams: an overview of two versions of calculus of functors and an account of recent developments in the study of the topology of spaces of knots.

  • Sales Rank: #1252288 in Books
  • Published on: 2015-10-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x 1.50" w x 5.98" l, 2.20 pounds
  • Binding: Hardcover
  • 644 pages

About the Author
Brian A. Munson is an Assistant Professor of Mathematics at the US Naval Academy. He has held postdoctoral and visiting positions at Stanford University, Harvard University, and Wellesley College, Massachusetts. His research area is algebraic topology, and his work spans topics such as embedding theory, knot theory, and homotopy theory.

Ismar Volić is an Associate Professor of Mathematics at Wellesley College, Massachusetts. He has held postdoctoral and visiting positions at the University of Virginia, Massachusetts Institute of Technology, and Louvain-la-Neuve University in Belgium. His research is in algebraic topology and his articles span a wide variety of subjects such as knot theory, homotopy theory, and category theory. He is an award-winning teacher whose research has been recognized by several grants from the National Science Foundation.

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Rabu, 24 Agustus 2011

[R892.Ebook] Download Rome: Day One, by Andrea Carandini

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Rome: Day One, by Andrea Carandini

Andrea Carandini's archaeological discoveries and controversial theories about ancient Rome have made international headlines over the past few decades. In this book, he presents his most important findings and ideas, including the argument that there really was a Romulus--a first king of Rome--who founded the city in the mid-eighth century BC, making it the world's first city-state, as well as its most influential. Rome: Day One makes a powerful and provocative case that Rome was established in a one-day ceremony, and that Rome's first day was also Western civilization's.

Historians tell us that there is no more reason to believe that Rome was actually established by Romulus than there is to believe that he was suckled by a she-wolf. But Carandini, drawing on his own excavations as well as historical and literary sources, argues that the core of Rome's founding myth is not purely mythical. In this illustrated account, he makes the case that a king whose name might have been Romulus founded Rome one April 21st in the mid-eighth century BC, most likely in a ceremony in which a white bull and cow pulled a plow to trace the position of a wall marking the blessed soil of the new city. This ceremony establishing the Palatine Wall, which Carandini discovered, inaugurated the political life of a city that, through its later empire, would influence much of the world.

Uncovering the birth of a city that gave birth to a world, Rome: Day One reveals as never before a truly epochal event.

  • Sales Rank: #1117501 in Books
  • Published on: 2011-07-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.32" h x 1.10" w x 5.72" l, .70 pounds
  • Binding: Hardcover
  • 184 pages

Review
"Tradition assigns [the founding of Rome] to the year 753 B.C., when Romulus--who, according to legend, was rescued from infanticide with his twin brother Remus and suckled by a she-wolf--erected the first walls of the so-called Roma Quadrata, or 'square Rome.' It has been a very long time since anyone took this account as an accurate historical description, but Carandini provocatively suggests that it might be more or less true."--Adam Kirsch, New Yorker

"It has been assumed generally that the traditional founding of Rome by twin brothers Romulus and Remus 28 centuries ago should be classified as myth. This provocative examination by a highly regarded but controversial archaeologist suggests, however, that the story contains more than a grain of truth . . . he marshals considerable evidence, written and archaeological, to bolster his claims, and his conclusions certainly are startling and exciting."--Jay Freeman, Booklist

"Carandini's gifts as an archaeologist are admired even by those who don't accept his interpretations and Rome: Day One is full of fascinating detail."--The Age

"'It's a bold book, but will not persuade all readers,' said ancient Rome Professor Christopher Smith of the British School at Rome. '[Still] no one in recent years has done more than Carandini to challenge our perceptions.'"--New York Post

"Researchers will be intrigued with Carandini's precise picture of early Rome and the fine illustrations."--Choice

"What makes Rome: Day One such an extraordinary book is not the erudite descriptions but the energetic style of prose. For a volume so packed with detail, it remains an astonishingly easy read. . . . This is a book written to bring those early days to the attention of anyone and everyone."--Caldrail, UNRV History

"[T]he book is interesting because it discusses a topic that is much eschewed by the modern historians as it treads on controversial religious aspects."--Vaidehi Nathan, Organiser

"Uncovering the birth of a city that gave birth to a world, Rome reveals as never before a truly epochal event."--World Book Industry

From the Inside Flap

"Dateline Rome, April 21, 753 BC. Andrea Carandini, archaeologist extraordinary, burrows down through thirteen meters of fill to hit pay dirt--Day 1 of Urbs Roma. What could be more exciting! History and archaeology rub shoulders with Freudian psychology as Carandini, a native of Rome, takes us on an enthralling guided tour through the material and written sources for the primal moment of the City that would create a World, our world. Urbi et Orbi, indeed."--Paul Cartledge, University of Cambridge

"A fascinating examination of how Rome began some twenty-eight centuries ago, written by an archaeologist whose many years of excavation have profoundly altered our understanding of the city and its history. Challenging, and often controversial, this book is a rewarding read both for the long-standing enthusiast and the newcomer to the subject, helping us to understand the development of the Roman state which went on to dominate so much of the known world."--Adrian Goldsworthy, author of Caesar: The Life of a Colossus

"Andrea Carandini's archaeological work in key areas of Rome will be fundamental to our understanding of the formative period of the city, and is part of the developing fascination with the beginnings of Rome. This translation brings the evidence, and Carandini's challenging interpretation, to a new audience."--Christopher Smith, director of the British School in Rome

From the Back Cover

"Dateline Rome, April 21, 753 BC. Andrea Carandini, archaeologist extraordinary, burrows down through thirteen meters of fill to hit pay dirt--Day 1 of Urbs Roma. What could be more exciting! History and archaeology rub shoulders with Freudian psychology as Carandini, a native of Rome, takes us on an enthralling guided tour through the material and written sources for the primal moment of the City that would create a World, our world. Urbi et Orbi, indeed."--Paul Cartledge, University of Cambridge

"A fascinating examination of how Rome began some twenty-eight centuries ago, written by an archaeologist whose many years of excavation have profoundly altered our understanding of the city and its history. Challenging, and often controversial, this book is a rewarding read both for the long-standing enthusiast and the newcomer to the subject, helping us to understand the development of the Roman state which went on to dominate so much of the known world."--Adrian Goldsworthy, author of Caesar: The Life of a Colossus

"Andrea Carandini's archaeological work in key areas of Rome will be fundamental to our understanding of the formative period of the city, and is part of the developing fascination with the beginnings of Rome. This translation brings the evidence, and Carandini's challenging interpretation, to a new audience."--Christopher Smith, director of the British School in Rome

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3 of 3 people found the following review helpful.
Caveat Lector!
By Remus
Caveat Lector! Carandini spins quite a tall tale in this book...but that's all it is—a work of fiction. Readers with a serious interest in early Rome are advised to read T.P Wiseman's review of this book in The Classical Journal ("Carandini's handsome little book offers no more than an enjoyable fantasy,") and Wiseman's longer expose of Carandini's other (Italian-language) books, "Reading Carandini," in The Journal of Roman Studies, which more closely examines Carandini's methodology (such as it is) and his personal motivations for advancing his idiosyncratic notions. Readers interested in rigorous history (as opposed to sheer fantasy) will find more substance in Cornell's The Beginnings of Rome and Wiseman's Remus: A Roman Myth.

4 of 5 people found the following review helpful.
A different sort of Roman scholarship
By Mario de Vivo
I gave "Rome, Day One" three stars with a heavy heart, because the book IS interesting. Having read anglo historians on ancient Rome, I have found it refreshing to be able to read an Italian archeological perspective and, besides, the often too dismissive historian view of Roman ancient tradition is unconvincing. Andrea Carandini believes that there is a structured core of truth about the Remus and Romulus story of the foundation of Rome, and he describes, with more detail than anybody else I've read, how the foundation could have happened. The illustrations are black, white and gray toned, but they are a banquet for the hungry eyes of everybody curious about how Rome really was like in the beginning. If other professional historians understood the power of illustration as Carandini does, their books would be so much better appreciated than they are!

The book has two aims: first, as stated above, to mix tradition and archeology in order to recreate the foundation of Rome, and the second is to present Rome, together with Greece, as distinct in terms of political organization from the ancient eastern states and empires, the democratic versus totalitarian roots of, respectively, the "West"and the "East" (indeed, Carandini extends this distinction to our own days in his "Conclusion", in a oversimplified manner).

The first objective is met finely, albeit with the same dismissiveness towards alternative views that historians show to the traditional account. I would like to know who thinks differently and why, and thus I probably would appreciate more Carandini's views. Instead, throughout the book, Carandini frequently reminds us that he has been excavating in the area for twenty years. Although this is not the only argument supporting his views, it feels like the number of years is very important in the matter, at least to him. It is and it is not, because one could have excavated for 40 years and end up finding little, while one luck digging season... Anyway, my point is that I would like to see more explaining and less bragging.

Another thing that bothered me is that he rarely mentions anybody else's archeological efforts, and he writes as if everything of importance have been found by him and his team. Maybe it is so, but maybe it isn't.

Finally, the author would have much helped his argument if he further clarified the comparison between early Roman foundation traditions and those that appeared after the Greek introduction of Troy, Aeneas, and other such characters in the story. He should have done it because the book is not for the specialist. This is very important because it would have supported his choice of sources for the traditional account.

Bottom line: if you like to read about the history of Rome, particularly early Rome, you must read this book, because it is so fascinating. Only be prepared for a different sort of scholarship than that of British and American historians.

4 of 5 people found the following review helpful.
Hard work if you're not an archaeologist or historian
By C. Watson
I'm star rating this item three because I suspect it is, in fact, an excellent piece of work for its intended audience of scholars, historians and archaelogists. It's not really fair for myself - a layman just interested in the history of Rome - to grade it according to my own lack of understanding, bust Amazon requires I add a rating, so three it is...

What I will say is this, the book is somewhat mis-marketed. Everything about its layout, cover art, blurb and design suggests that the reader is in for an engaging, argumentative, perhaps journalistic style laymans book. What it actually is, however, is a rather dense archaelogical thesis that I found somewhat slow-going and very difficult to comprehend. There's no narrative here, only a lot of challenging and dry scholarly description.

Here is a brief example:

"The King Augur and in(du)perator (Ennius), who had auxiliaries and a mounted guard, was potentissimus both with the priestly order - composed of the flamines of the divine triad and the five pontifices, in addition to the vestal virgins - and with respect to the Quirites gathering in the Comitia Calata and curiata where the king stated his ius, and from which bodies his army was formed."

If you had a hard time with that sentence then you'll have a hard time with the rest of the book.

As I stated I'm only entering this review as a warning for the lay readers who may be seeking something more narrative based and engaging. From a scholars perspective, though, it seems very good - lots of fascinating maps and diagrams of the dig sites and the corresponding foundation texts are well-sourced from primary sources such as Livy, Ovid and Plutarch. Actually the last thirty or so pages of the book is the appendix of the original texts from these sources and, in my opinion, made for a more engaging read than the book itself.

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Selasa, 09 Agustus 2011

[T200.Ebook] Download PDF Cracking India: A Novel, by Bapsi Sidhwa

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Cracking India: A Novel, by Bapsi Sidhwa

The 1947 Partition of India is the backdrop for this powerful novel, narrated by a precocious child who describes the brutal transition with chilling veracity. Young Lenny Sethi is kept out of school because she suffers from polio. She spends her days with Ayah, her beautiful nanny, visiting with the large group of admirers that Ayah draws. It is in the company of these working class characters that Lenny learns about religious differences, religious intolerance, and the blossoming genocidal strife on the eve of Partition. As she matures, Lenny begins to identify the differences between the Hindus, Moslems, and Sikhs engaging in political arguments all around her. Lenny enjoys a happy, privileged life in Lahore, but the kidnapping of her beloved Ayah signals a dramatic change. Soon Lenny’s world erupts in religious, ethnic, and racial violence. By turns hilarious and heartbreaking, the domestic drama serves as a microcosm for a profound political upheaval.

  • Sales Rank: #144753 in Books
  • Brand: Brand: Milkweed Editions
  • Published on: 2006-01-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 5.50" w x .75" l, .85 pounds
  • Binding: Paperback
  • 296 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
The narrator of Sidwha's ( The Bride ) timely novel about the violent 1947 partition of India is the extremely observant Lenny Sethi, whose family belongs to the Parsee community in Lahore. As a child, a polio victim and a member of a minority, she is the perfect witness (though somewhat precocious) to the historic upheaval. Sidwha tempers Lenny's hyper-awareness, however, by capturing the whole range of her fears and joys as her innocence becomes another casualty of the violence among Moslems, Sikhs and Hindus. At one point Lenny declares: "Lying doesn't become me. I can't get away with the littlest thing." Persuasive, this statement reinforces earlier comments she lets slip about herself which display this artless candor: "the manipulative power of my limp"; "I place a hypocritical arm protectively round her shoulders." Lenny's honesty is compelling, and the reader, like many in the story, cannot help but trust her. She is alternately thrilled and frightened by the events she dutifully records, and so, in the end, is the reader.
Copyright 1991 Reed Business Information, Inc.

From Library Journal
Presented in the first person by a sparsely educated Parsee girl in Lahore named Lenny, who grows from four to eight as she narrates, this novel is incongruously overloaded with erudite diction. Thus, unlike Huck Finn's tale, this child's story becomes unbelievable. Despite the title, it focuses on the everyday lives of Lenny, her family, and their associates, often interesting but frequently trivial. Throughout the book, Lenny includes verbatim transcriptions of extended conversations/situations about racial relations, sex, politics, religion, and selected aspects of the 1947 Partition. Sadly, the promise of the novel (semi-autobiographical?) is inadequately fulfilled and seems to falter from its conception. (Needed: a glossary of Indian words.)-- Glenn O. Carey, Eastern Kentucky Univ., Richmond
Copyright 1991 Reed Business Information, Inc.

From Kirkus Reviews
Pakistani Sidhwa's third novel (The Bride, 1983; The Crown Eaters, 1982)--written from the point of view of a young girl who's surrounded by the personal and political violence that accompanied the partitioning of India in 1947--manages to do justice to the complexity of racial, ethnic, and religious violence in the era and to evoke the passage from an affluent childhood to the ambiguities of experience. ``India is going to be broken....And what happens if they break it where our house is?'' asks narrator Lenny, the daughter (who turns eight in 1947) of an affluent Parsi family in Lahore. And in fact her household does break apart when her young nanny, or Ayah, is kidnapped. Before that event takes center stage, the novel glorifies in the ``beautifully endowed'' world, which, as evoked by Sidhwa's luminous present-tense prose, is laminated with the magic of childish wonder: moving between her own house and that of her dynamic Godmother (``It is her nature to know things''), who lives ``with her docile old husband and slavesister,'' Lenny dramatizes the textures of multicultural Indian life, with its summer trips to the Himalayan foothills, dinner parties, visits from the ice-candy man, and, increasingly, hints of ``Hindu-Muslim trouble.'' While Lenny ``learns to tell tales'' by ``offering lengthier and lengthier chatter'' to fill dinner-time silences, she also becomes ``aware of religious differences.'' Sikhs start keeping to themselves, whereas before ``everybody is themselves.'' Violence escalates, India is divided, fires appear ``all over Lahore,'' and Ayah is kidnapped. She's finally found in the red-light district, then rescued through Godmother's influence, but it's clear that- -along with India and Lenny--she will never be the same. Richly layered, both realistic and magically evocative as well as topical: a novel that brings to triumphant life an India that ``has less to do with fate than with the will of men.'' -- Copyright ©1991, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

0 of 0 people found the following review helpful.
The Partitiion of India
By Joyce Merletti
The story is told through the eyes of Lenny, a young Indian girl whose beautiful Hindu nanny has included her in her friendship with a number of young men of various religions and walks of life. Despite the differences, they are united by their love for her. As their beloved nation drifts toward a complete rupture, violence begins in the streets; the child sees some of the young men changing religions to protect their families, or leaving the city for a safer place. She begins to understand the religious divisions that are ripping the fabric of India. She witnesses scenes of slaughter; her nanny is betrayed and kidnapped, bringing her to a shameful life.
No childhood can continue amid this terror, and the reader feels such sympathy for little, crippled Lenny and her young friends. But heart-wrenching as the story is, it is only one story of that time, and Sidhwa tells it very well. She sheds light on this dark period, but in doing so, makes the reader want to know more about that time, and what led to it.

16 of 16 people found the following review helpful.
Loss of innocence and national chaos
By Luan Gaines
Wrenched from the security of the familiar, a young girl gleans intimate knowledge of the nature of betrayal. As a cosseted child, Lenny's short life is defined by the affection of family, friends and her beloved Ayah. As most children who have the blessing of regularity in their lives and know the indulgence of boredom, Lenny is on an intimate terms with mundane household affairs and neighborhood gossip, her extended family ever available for entertainment and amusing peccadilloes. The family's simple life changes forever with the Partition of India in 1947 and the creation of Pakistan for Muslims, Hindus and Sikhs remaining in the state of India. As citizens of the newly formed Pakistan, this family's everyday reality begins to shift with the changing times, threatening to destroy a child's security and trust forever.
In Lahore, a city that has welcomed differences and encouraged variety, Muslims, Sikhs and Hindus have mixed without incident. After the Partition, the dangers of alliance permanently stamp the mark of change and entire families begin to disappear overnight. In agonizing stages, Sidwha relates this tragic account through Lenny's eyes. And it is that vision, with glimpses of violence flashing around the periphery, that ultimately alerts Lenny to the shape of the future. The juxtaposition of family life and national chaos outlines an insider's interpretation of daily routine and a whole country spinning out of control. Peopled with eccentric characters and quirky personalities, one of the most romantic and beloved is Lenny's beautiful and desirable Ayah. Ultimately, the abrupt disappearance of that Ayah, who has been kidnapped by nefarious characters, is central to the theme of this carefully wrought tale. All sense of harmony and continuity is abruptly shattered by the miasma of violence that seeps under closed doors at night like a poisonous invisible fog. This book is a stunning reminder of the nature of impermanence, "collateral damage" in the form of a loving Ayah, whose lovely spirit is virtually destroyed along with Lenny's innocence.

4 of 4 people found the following review helpful.
The animal inside us all
By A Customer
I was shocked to read a couple of previous reviews claiming "Cracking India" portrays certain groups as monstrous while favoring others. Whoever has made these statements has obviously skipped over huge chunks of Bapsi Sidhwa's book, for Sidhwa goes out of her way to present a balanced point of view of Partition. This book is about the animal inside all people -- the demon that can emerge in the name of religion within everyone, whether Muslim, Hindu, Sikh, or whatever. This book is not about an "us" and the "other" -- or conversely, it deals very much with the "us" and the "other," and in doing so, is not. While i could very easily disprove the claims of bias made by a couple of previous reviews, by quoting several powerful incidents from the book i would only be doing future readers a disfavor -- i do not want to rob anyone of exactly the elements of universal horror and suspense that make the book the masterpiece it is. I recommend this book highly to anyone -- i know it left me tear-streaked and stunned.

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