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In many accounts of Native American history, treaties are synonymous with tragedy. From the beginnings of settlement, Europeans made and broke treaties, often exploiting Native American lack of alphabetic literacy to manipulate political negotiation. But while colonial dealings had devastating results for Native people, treaty making and breaking involved struggles more complex than any simple contest between invaders and victims. The early colonists were often compelled to negotiate on Indian terms, and treaties took a bewildering array of shapes ranging from rituals to gestures to pictographs. At the same time, Jeffrey Glover demonstrates, treaties were international events, scrutinized by faraway European audiences and framed against a background of English, Spanish, French, and Dutch imperial rivalries.

To establish the meaning of their agreements, colonists and Natives adapted and invented many new kinds of political representation, combining rituals from tribal, national, and religious traditions. Drawing on an archive that includes written documents, printed books, orations, landscape markings, wampum beads, tally sticks, and other technologies of political accounting, Glover examines the powerful influence of treaty making along the vibrant and multicultural Atlantic coast of the seventeenth century.

• Sales Rank: #2798732 in Books
• Brand: Glover, Jeffrey
• Published on: 2014-04-16
• Original language: English
• Number of items: 1
• Dimensions: 9.50" h x 1.17" w x 6.37" l, 1.51 pounds
• Binding: Hardcover
• 328 pages

Review

"A nuanced narrative of Anglo-Native interactions in the early years of British colonialism. Jeffrey Glover crafts a persuasive story that draws on much of the best historical work, and rigorously avoids romanticizing (or demonizing) any of the involved parties, showing how indigenous leaders used the tools and strategies available to them to advance their individual and communal interests."—Sandra M. Gustafson, University of Notre Dame

"Historians will find Paper Sovereigns: Anglo-Native Treaties and the Law of Nations, 1604-1664 a nuanced and thoughtful examination of the formative period of treaty making."—American Historical Review

About the Author
Jeffrey Glover teaches English at Loyola University Chicago.

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• Sales Rank: #1294755 in eBooks
• Published on: 2012-08-29
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• Format: Kindle eBook

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0 of 0 people found the following review helpful.
Textbook
By R McGrath
Used book as advertised. Had some yellow highlights but then again what do you expect purchasing a used textbook. This will be just fine. Thanks.

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First published in 2011. Routledge is an imprint of Taylor & Francis, an informa company.

• Sales Rank: #1111910 in eBooks
• Published on: 2013-04-26
• Released on: 2013-04-26
• Format: Kindle eBook

About the Author
Francis Glebas worked as a story artist for Disney Feature Animation on Aladdin, Lion King, Pocahontas, Hunchback of Notre Dame, Dinosaur, Treasure Planet and Hercules. He also directed Pomp and Circumstance starring Donald Duck in Fantasia 2000 and Piglet's BIG Movie. Francis is also an award-winning independent live action movie maker with almost 40 years' experience. He currently teaches storyboarding at Gnomon School of Visual Effects. Francis also works as a creative consultant, having worked with the Irish Government, Korean Government, General Motors, Los Alamos Labs, Walt Disney Imagineering and other film studios.

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8 of 8 people found the following review helpful.
Love the flipbook + companion CD!
By Kodan
First of all, the book is a lot bigger than I thought. It just sticks out on my bookshelf lol, but I'm fine with it because I really love the flipbook section; it's really cute :P. Anyway, this is a great animation book for anyone interested to learn more about animation. I have this book and the Character Animation Crash Course by Eric Goldberg, and I find both books very helpful. Goldberg's book teaches something Glebas doesn't teach (more technical), and Glebas teaches something Goldberg doesn't. But I have to say I learned more from the Animator's eyes because the author covers stuff like storyboarding, adding color and sound which no other animation books cover. If you already have the animator's survival kit, you don't really need character animation crash course because they are more or less the same. The Animator's Eye is different though, you will totally learn something new from it. I would highly recommend this book to anyone who wants to further his or her knowledge about animation.

6 of 6 people found the following review helpful.
The book I've been waiting for
By bdbkirby
I worked in the industry back when before moving into a teaching career. I know the animation principles that any new animator must learn so I know what to look for in a text book. Over the years the text books I've assigned for the college animation courses I have taught have come and gone. A common problem is a lack of depth into the more intricate working of development and didactic graphics. There also is, quite often, a one size fits all approach to explanations of animation principles and methods.

The principles of animation are our tools. We use them to build our animations so once we have knowledge of a animation principle (such as squash & stretch) we can build anything we'd like with them or use them in a personal and more expressive way than others may choose to do.

Francis understands this. Francis book provides the necessary information new animators need to launch their learning experience without the "do it like this" verbiage. Francis gives the reader information on the tools with user friendly graphics that leaves the personal and particular "how to" decisions in the hands of the developing animation student. At last!

It's an excellent fun read, packed full of gotta have information on the universal principles of animation.Additionally he also has information on layout, planning and the classic components of camera, composition and design necessary in building an animation.That's quite a package.

The principles he shares are used in all forms of animation...2 and 3D, stop-motion and digital. We all use them so the information in this book has universal appeal and application.

It is the book I've been waiting for. It will be the assigned text in all of my animation courses from here on.

5 of 5 people found the following review helpful.
Covers It All
By Peter J Wydeven
First off, you have to love the flip-book on the edge of the pages of The Animator's Eye. It works just like film but breaks it down. This book, the author Francis Glebas and his characters Iggy and Scared Bunny are a lot of fun, but don't let that fool you, this book is filled with a mass of serious information. When it comes right down to it, animation in the form of storytelling covers a huge amount of stuff just to get it get it done - and even more to make it "moving" and fun. This book gets "it". Even though a person could dig into any these areas for more info, the author gets what is takes to get started in animation and covers what is helpful to advance a career.

I'm coming from a background of drawing illustration skills that transitioned to graphic arts on a computer. I also have interests in photography and video. Not being wholly advanced in the animation world, I can only guess what level of experience would find interest in this book. Yet, given the range of information from drawing, to movement, to gestures, to color, to storytelling, to sound, to lip sync, to organization, to structure, to production, just to mention some of what Glebas covers, I think even the very advanced animator would find something to improve upon. For the beginner this should be a must. This book takes me back to some my earliest drawing classes and reinforces some of their very best principles in a more compelling and informative way, like the use of balance and weight to give life to mere lines. The author shows you how to create three dimensional characters with the illusion of life-like movement so as to avoid what he refers to as "zombies".

I like the way he builds from simple basics to get a character and story across. I love the emotional wheel. Art classes have gotten me used to the color wheel (which the author also takes great advantage of in the book) but I never thought to use a wheel for emotions, expressions, and gestures. Simple is better. I really like his use of post-it notes to produce a very simple but moving and easily edited story board. That makes so much organizational and productive sense. Like the author, I have always thought that tracing was a very valid method for learning the way others draw (which was sometimes frowned upon). He touches on helpful software to match your character with the appropriate color, sound, and environment that givs life and emotion to enhance and drive the animators vision. Glebas gives lots of helpful ideas to make animation work better and the process work more easily.

The accompanying DVD shows the finished animation along with the earlier working versions to give you some idea of what to look for and how to progress. One of my favorite things on the DVD is where the author makes a video of himself to show exaggerated emotions and lip movement to use for references for drawing believable character expressions and speech.

The Animator's Eye covers a lot of material, all with practical means to get professional results that will capture your audience's attention and sweep them off into a truly "believable" fantasy world just like Disney does.

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The book begins by asking the simple question of whether or not a couple really wants to write their own vows. Is it necessary to write your own vows to make the ceremony unique? Chapter two gets right into the heart of the matter offering 10 tips for writing your own customized wedding vows or ring vows. Dr. Carr also discusses the option of making a personal statement instead of customized wedding vows.

The book includes some resources, such as quotes about love and marriage, and a list of more than 150 romantic words that will assist the bride or groom who is trying to write their own vows. There is a chapter that includes some real examples of self-written wedding vows and ring vows. One chapter discusses the origin of the basic traditional wedding vows that have been used for the past 500 years in the English language.

There is writing space included in the book to make your own personal notes so that you can use the book as a workbook for writing your own wedding vows.

Table of Contents

Preface
1. Really Want To Write Your Own Vows?
2. Ten Tips For Writing Memorable Vows
3. Wedding Vows Or A Personal Statement?
4. Classic Wedding Vows And Ring Vows
5. Fifty Quotes Of Love
6. Fifty Quotes Of Marriage
7. A List Of Most Romantic Words
8. Examples Of Personalized Vows
9. The Origin Of Traditional Wedding Vows
10. Seven Creative Writing Tips
11. The 30 Minute Wedding Vow Template
ABOUT THE AUTHOR
Write Your Vows Here
Sources Consulted
Contact Information

Whether you are a couple planning to get married soon, or a wedding officiant who is often asked to help a couple write their own vows, "How To Write Wedding Vows" is a worthwhile investment.

Writing your own vows does not have to be difficult. A good coach can make it both easier and better. Let Dr. Carr help you write your own wedding vows that will be both beautiful on your wedding day and memorable for a lifetime.

• Sales Rank: #1807110 in Books
• Brand: Brand: Franklin Publishing
• Published on: 2012-06-30
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .32" w x 5.50" l, .37 pounds
• Binding: Paperback
• 138 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

2 of 2 people found the following review helpful.
Very helpful!
By Mfreeindeed
As an officiant this is a very helpful tool for helping my brides and grooms write their vows! Highly recomended!

1 of 1 people found the following review helpful.
Read!
By Porsche Kristina
How to write Write Wedding Vows is a perfect book to purchase in preparation for your big day! It's a great read for you and your future spouse to help with writing your own vows and making the special and unique.

1 of 1 people found the following review helpful.
Very Practical and Interesting
By Matt
Finally, a book that lays down the rules of wedding vows. Dr. Kelly's methods are precise,exceptionally written, and intuitive. I would personally recommend this book to any persons pursuing marriage together.

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• Sales Rank: #1831191 in Books
• Published on: 2004-04-25
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Law and medicine can be caught in a tight embrace. They both play a central role in the politics of harm, making decisions regarding what counts as injury and what might be the most suitable forms of redress or remedy. But where do law and medicine converge and diverge in their responses to and understandings of harm and suffering? Using empirical case studies from Europe, the Americas and Africa, The Clinic and the Court brings together leading medical and legal anthropologists to explore this question.

• Sales Rank: #4377630 in Books
• Published on: 2015-04-30
• Original language: English
• Number of items: 1
• Dimensions: 8.98" h x .75" w x 5.98" l, .0 pounds
• Binding: Hardcover
• 320 pages

About the Author
Ian Harper is a trained medical practitioner and social anthropologist, working at the University of Edinburgh.

Tobias Kelly teaches social anthropology at the University of Edinburgh, where his research interests include human rights, political and legal anthropology and modern British cultural history.

Akshay Khanna is a research fellow at the Institute of Development Studies, University of Sussex.

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Book annotation not available for this title.
Title: They Shall Not Pass
Author: Ibarruri, Dolores
Publisher: Intl Pub
Publication Date: 1976/06/01
Number of Pages:
Binding Type: PAPERBACK
Library of Congress:

• Sales Rank: #674847 in Books
• Brand: Brand: Intl Pub
• Published on: 1976-06
• Original language: Spanish
• Number of items: 1
• Dimensions: 8.25" h x 5.50" w x .75" l, .80 pounds
• Binding: Paperback
• 350 pages

Features

• Used Book in Good Condition

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5 of 12 people found the following review helpful.
Talk about a fascinating and revealing autobiography
By Kiwi
"They Shall Not Pass" is the autobiography of Dolores Ibarruri ("La Pasionaria" of the Spanish Civil War, known for her ability to make rousing speeches and come up with great little phrases "No Pasaran - They Shall Not Pass" being her most well known). Ibarurri was one of the leaders of the Spanish Communist Party and her autobiography is perhaps an unintentionally revealing self-portrayl of the sheer banality of evil. As other reviewers have mentioned, Ibarruri tells us a little about herself, but only a little. The remainder of the book is a sad illustration of the moral bankruptcy of Ibarurri and her ilk and perhaps also somewhat illustrative of why the Republicans lost the Spanish Civil War - and even more illustrative of just why Franco and the Nationalists were so much more determined to win unconditionally, being well aware of their fate if Ibarurri and her cohorts gained the victory.

The book's really worth reading as an example of just what the Nationalists were fighting against - as another reviewer mentioned,it's full of revolutionary songs, Ibarurri goes on and on about how the Republican forces were betrayed by the other non-Communist parties within the Republican grouping (conveniently forgetting perhaps that it was the Spanish Communist Party who launched the CivilWar within the Civil War, and that it was the Spanish Communists in military command positions who launched attacks which could only be described as insanely suicidal for purely political reasons).

Ibarruri comes across as an unrepentant Stalinist of the worst sort (keep in mind also that she was one of the architects of the Red Terror at the start of the Civil War, where some 55,000 people were excecuted in the best of Stalinist traditions) and the book provides very little information other than what the Stalinist line was and a good amount of repetition of Communist propaganda lines from the War along with invective and criticism of pretty much every other political party ot grouping on the Republican side.

Most amusing is the description of the Anarchist rule in Catalonia as "Sodom and Gommorah" with no explanation as to why - for a better description of the Anarchists, read Homage to Catalonia by George Orwell, a far more credible writer than Ibarruri. While perhaps not intended, Ibarruri's autobiography is a classic example of the Stalinist / Communist mindset at work - and shows how the Spanish Communist Party was openly attacking their "allies" in the Civil War in an attempt to gain sole power in the Spanish Republic. It's a sad and illustrative account of the banality of evil and the unrepentant mind-set of a Stalinist-era mass-murderess, for that's all Ibarruri was. Victory would have only made her more so, and from the tone of her book and her invective against the Anarchists and POUM, one can imagine what the fate of their supporters would have been under Ibarurri and her fellows - Franco looks positively angelic by comparison and after reading this book, one can well understand what the Nationalists fought for.

OK -I give this book 5 stars, not for the style or brilliance of the content but for the sheer fascination of looking into the mindset of a person who, while not responsible for the sheer volume of deaths, pain and suffering as Mao or Stalin, certainly shared the same intentions.

Comments: Mike Campbell - you'll note I said "....Franco looks positively angelic by comparison". Anyone with any knowledge of the Spanish Civil War knows Franco was no angel. A hard man for a hard task. Ibarurri on the other hand was an unrepentant Stalinist of the worst sort - the torture and slaughter of the POUM leadership by the Spanish Communists illustrates that, if nothing else. As always with the left, the revolution devoured its own. A foretaste of what would have come, no doubt. One can only look at the players and what they did and say, well, at least the good guys won.

7 of 19 people found the following review helpful.
La Pasionaria
By rachel wallis
They shall not pass is both a sad and informative commentary on the communist propaganda surrounding the Spanish Civil War. What begins as a sometimes touching autobiography soon descends into shameless promotion of the position of the communist party, and vicious slander against the anarchists and POUM. It is interesting if only as a testement to the lengths the communist party was willing to go in attacking their allies, in order to consolidate power in Republican Spain.

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